Online Guide to Bass Flute Multiphonics

Taylor MacLennan & Nicholas Moroz

Preface

M1M2M3M4M5M6M7M8M9M10M11M12M13M14M15M16M17M18M19M20M21M22M23M24M25M26

M21

 
 
M21_0021.png
 

Another excellent major second type dyad, like M7, except in the upper register the harmony implies overall a more whole-tone based sonority (Bb, C, D, E).