ARCING, STILLING, BENDING, GATHERING

Lisa Illean portrait album on NMC

Recorded and edited by Nicholas Moroz

‘A through-grown earth’ with soprano Juliet Fraser

Tracks 6-10

Reviews

This disc sounds exquisite, one constant in the four works collected being producer Nicholas Moroz. Recording music this delicate, this refined, takes rare skill ... It’s all compelling, and already on my provisional ‘best of 2024’ list. The Arts Desk

The four works on this portrait album masterfully balance sound as disparate layers that shift depending on the perspective of the listener, and how the various elements collide and combine.Bandcamp

These four interesting, skillfully crafted pieces are definitely worth a listen. Expect meditative weavings of strings, a soprano that nestles naturally into the complex tapestry, a piano and even a pre-recorded zither. ★★★★ de Volkskrant

With its focus on elemental forms and patterns, arcing melodies and tactile textures, the hushed, understated gestures of Illean's music invite listeners to immerse themselves in a world where near silence and stillness shape the very fabric of its sound. Recommended. Gramophone

Parallaxis Forma

Music for voice and ensemble by Catherine Lamb
Another Timbre (at215). Released 22 September 2023

1) color residua (2016/20) premiere recording
2) pulse/shade (2014)
3) parallaxis forma (2016)

Track 1 with Exaudi Vocal Ensemble
Tracks 2 & 3 with Lotte Betts-Dean

Recorded & Produced by Nicholas Moroz

Cover artwork by Nicholas Moroz

With thanks to Zeitvertrieb Berlin/Wien.

This album was made possible through the generous support of the Robert D. Bielecki Foundation and the Hinrichsen Foundation.

Featured on Bandcamp’s Best of Contemporary Classical 2023, by Peter Margasak

Reviews

Bandcamp, Peter Margasak
The Best Contemporary Classical Music on Bandcamp, September 2023
Review of ‘parallaxis forma’ album

This collection focuses on some of her pieces for voice, tackled by some of England’s most adventurous and committed musicians… It’s an extraordinary collection, and it gives me hope that more folks will encounter Lamb’s music

Perfect Offering

 

1) Perfect Offering - Cassandra Miller
2) Weather a Rare Blue - Lisa Illean
3) Suite - Lawrence Dunn
4) murmurs - Rebecca Saunders

Produced, recorded, mixed, and mastered by Nicholas Moroz

Cover artwork: detail of ‘Mystical Vandalism’ by Edward Lipski

This album was made possible thanks to the generous support of Ernst von Siemens Musikstiftung Ensemble Prize and the Vaughan Williams Foundation.

Perfect Offering invites the listener to journey with the ensemble, inhabiting and exploring four vibrant, imaginary landscapes. Each is underlined by themes of place and space, ecstasy and tranquillity, lightness and darkness, as well as ambience, transience, refraction, and silence. There is a diverse interest in harmony evident in the music collected here – each composer exhibits a distinctive idiolect, ranging from Cassandra Miller’s entirely white note radiance to Rebecca Saunders’ haunting atonal timbralism, Lisa Illean’s spectrally-tinged, weathered sounds, and Lawrence Dunn’s wonky and surrealist tonalities.

This album bears the fruit of an awakening. Explore Ensemble’s pent-up energies – confined and distracted during the pandemic – were at last released over the course of 2022, with a return to concerts and recordings. That busy year was filled with reconnection and growth. This album presents Explore Ensemble’s resulting perspective on chamber music repertoire. It is music that, by invoking either actual or imagined spaces, goes beyond the “chamber” and the genre’s historical allegiance to the slippery notion of musical autonomy.

Huddersfield Contemporary Records is excited to announce that Perfect Offering is the first release from NMC Recordings in a 3D audio format, with both stereo and 3D audio mixes crafted by Explore Ensemble artistic director and album producer Nicholas Moroz. While the CD and digital download versions have been carefully mastered for the perfect stereo listening experience, listeners on Apple Music and TIDAL will be able to use the platforms' integration with Dolby Atmos to realise each track of the release as an immersive, spatial mix. Apple Music users with the correct headphones can take advantage of the head tracking feature to feel as though they are sitting right in the sweet spot of the concert hall, while purchasers of the digital download of Perfect Offering will get a taste of this experience through an exclusive, bonus binaural mix of Rebecca Saunder’s murmurs.

Reviews

New York Times, Seth Colter Wells
Review of ‘Perfect Offering’ allbum

“this immersive mix is a particular gift for listeners at home”

TEMPO, Ian Power
Review of ‘Perfect Offering’ album, April 2024

A must-listen for a monumental snapshot of British new music of the past years.

Me Hollywood

Oliver Leith portrait with Another Timbre
Released 12 May 2021
Cover artwork: Susan Te Kahurangi King

Including:

Me Hollywood (2020)
for sextet and tv

Grinding bust turning (2018)
for trio

664 love songs guaranteed to cure heartache (2016)
for bass flute, violin, violoncello, synthesiser and projector

Blurry wake song (2019)
for violin solo

Balloon (2018)
for nine players - conducted by Richard Baker

Reviews

Bandcamp: Best of Bandcamp Contemporary Classical June 2021 — Peter Magarsak
Review of Oliver Leith’s ‘Me Hollywood’ album with Another Timbre

“…the tender vulnerability of his writing proves gripping and, as with most of these five works, unlike anything else I’ve heard this year.”

TEMPO, Caroline Potter - November 2021
Review of Oliver Leith’s ‘Me Hollywood’ album with Another Timbre

‘Perhaps the best way to describe Leith’s album would be musical surrealism, and perhaps, on reflection, that’s why it appeals to me so strongly: his music makes the everyday strange and the strange everyday.”

The Squid’s Ear — Thomas Mellish
Review of Oliver Leith’s ‘Me Hollywood’ album with Another Timbre

“Explore Ensemble plays with a consummate ease, providing an appropriate stage for Leith's pieces to be realized. Me Hollywood represents a fantastic intersection between vision and technique, ideas and deeds. I certainly felt 'something.'“

Summer

James Weeks portrait with Another Timbre
Released 12 May 2021
Cover artwork: Haris Kittos

Including:

Summer (2018)
for seven players

Violet - Violute (2018)
for violin and clarinet, and viola and bass flute

Düsseldorf (2017)
for seven players

Durham (2018)
for solo piano

Siro’s Garden (2018/2020)
for spoken voice, celtic harps, ensemble, and audio

Reviews

TEMPO, Daryl Jamieson - April 2022
Review of James Weeks’ ‘Summer’ album with Another Timbre

Weeks, the Explore Ensemble and producer Simon Reynell of label Another Timbre have made with this disc an oasis, its beguiling simplicity concealing conceptual riches.

[…]

If the album as a whole can be heard as a virtual garden in which sensual beauty and serious conceptual music-making are finely balanced, it is because Weeks is invested in the evocation of sonic virtual spaces and places rather than musical narrative or drama.

Musique Machine, Roger Batty - June 2021
Review of James Weeks’ ‘Summer’ album with Another Timbre – ★★★★★

“Summer is a most compelling and rewarding example of the modern classic form, with Weeks skilful and engrossing composition played with great depth, atmospheric grace, and felt nuance by the Explore Ensemble. Really if you have even a passing interest in modern classical music, and its connected related genres you’ll be needing to pick this album up….simply put, spellbind stuff!”